3/3/2023 0 Comments Paradise lost frankensteinThe other key difference is that, unlike Adam and Eve, there is no promise of a coming saviour to give the monster a hope for the future. Unlike Adam, the monster is never allowed the pleasure of a partner, as his companion is destroyed. There are also two striking ways in which the monster and Milton's Adam are seen to contrast. Like Adam, the monster is banished from 'Eden' in the case of the monster, however, the 'Eden' in question is the possibility of a loving and meaningful relationship with his creator. As Adam did, the monster enters the world with a mature body, but with an 'unformed' mind, which has to make sense of a totally new world. As events progress, he knowingly commits acts of sin against his creator. Faced with the prospect of a life spent alone, he is isolated, unfulfilled and needs a companion, which he requests from his creator. Like Adam, the monster is Frankenstein's first creation. Both Frankenstein and the monster take on elements of Adam, God and Satan. ![]() One of the most striking aspects of Frankenstein is Shelley's deliberate division or sharing of the characteristics of Milton's main characters. As such, it is integral in establishing his view of himself and in preparing him for the way the world will treat him. The poem is specifically invoked by the monster on a number of occasions as the novel progresses and it is one of the texts he reads in the process of acquiring language. Shelley draws in detail on Milton's great poem, using its main characters to represent or parallel the situations of her own protagonists. Shelley actively invokes the presence of both texts within her own tale and, like ghostly presences haunting their every move, Frankenstein and the monster find their actions and fates dictated by narrative imperatives that lie beyond the confines of their own tales. ![]() The fates of Frankenstein, his monster and those surrounding them are epic on the scale of Paradise Lost and 'The Rime of the Ancient Mariner' and are inextricably bound up with them. Intertextuality lies at the heart of Frankenstein and engagement with these other texts and their complexities is necessary to comprehend its power fully. Not only is Frankenstein a multi-layered and multi-narrated text in its own right, it also incorporates other narratives within itself. Andrew Green describes how Milton's Paradise Lost and Coleridge's 'The Rime of the Ancient Mariner' have a highly significant role to play in the unravelling of the novel. Throughout Frankenstein Shelley makes extensive use of several source narratives, all of which interact with and within her own tale.
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